Category:Phonology
Feature:Tone WALS
Name:Complex tone system
Languages (85):
Conlangs (70):
Qþyn|gài
Pasgemanh
Ngeyunh
Senjecas
primary tone marked with double acute accent: 'bőőulo', bubble
secondary tone marked with single acute accent: 'ésti', but, however, yet, although
base tone unmarked: 'ṡa', just, but a little distance
Vilani
Latadid
Dainyu
Velyan
Feayran
Three tonal levels, twenty-two possible contour tones over each syllable.
Fila
Nova
The three basic tones are high, mid (least marked), and low. These may interact with each other and glottalized consonants to produce a complex tonal contour for the lengthier words.
project 1
Wooshe
Siginese
Ueyoonja
Groh-if
Rarlang
Simpified japanese
Fae
Arroe
Popsiclian
Kiswona
Tlar Canà
solresol

There are seven syllables, ther are distinguished by "tones" (musical notes in an octave)

westcontinental Ngyamkyehe language
Doayâu
Meditsrai
Jumban
Kuty
clikli dialect

three tones: high(marked with circumflex), mid(unmarked), low(mark with grave accent)

minimal pairs:

te - three

tê - the sun

tè - magnetic power

no - circle; ring

nô - wheel

nò - rule; formula

Apelcheq Maulochsab
Isolating thing inspired by mesoamerican and southeast asian
Avemuacha
Ronc Tyu
Shujum
urdcax
Primitive Tule Defi
Proto Ke Son Lii
Yeqochun
Spraka
Testonian
Song
Reber Wiebian
Hux Kham
Lioa e Gweu
Red Creek
Leom
Interesting
Laga
Polarian
Centaurian
Least Average
Infernal
Celestial
Ngmeetsi
Gr
Tínaaqhe
Mikoshi
Thangi
Parian
Nkarkoa
Ithkuil III
Toaq
Miut
Gwaxol
Jigodu
Asso-Thrystian
Oltic
Lefso
"Tone is lexically significant in Modernized Lefso, often marked excessively by speakers. Tone is governed by three components: The director component of an Occupied Lefse, A Toner, and a Blank Lefse. 

A Toner is similar to a Hiragana “Ku,” which was misinterpreted and borrowed from a Japanese Novel. This resulted in a dialect taking a major swing and repurposing the “Ku” as a Toner symbol, with the period turning into the indicator—it on the lower line meant a falling tone, and it placed on the higher line meant a rising tone.

The Lefse is considered the most important symbol. Consisting of a “Stage” (often occupied by a character) and a “Director,” an arrow-shaped item placed either center-top, bottom-right, or center-right. There are two types of Lefse: Blank and Occupied. A Lefse is every space possible where letters may take these up. Every Odinya character used in a sentence is considered an Occupied Lefse, as the letter (better in this context, “Sound Component), takes up the space of a Lefse, and the Director is positioned at the bottom-right of the character (with exceptions being la, le, li, lo, lu, pa, pe, pi, po, and pu). A Blank Lefse is a modifier character. It’s rare and is used for specific cases, such as:

A complicated sound with fluctuating tone, A toner, and Lefse must be used in alternation when doing so.
Tone/Length marking at the end of a word.
When a complicated sound requires more than one elongation/glottal stop marker.
Altering the entire tone midway through a sentence, via duplicating the character.

A Lefse may only hold one director.

A Director shows what to do within a character. Pointing up or down indicates a rising or falling tone, while a left/right-oriented arrow indicates character elongation (left-facing), or shortening of aspiration or voice length. Sometimes marking a succeeding glottal stop. Tone markers alter everything after it (until the end of a word or another tone marker is used in said word).

The usage of Toners and Blank Lefses has varying influence on sounds depending on their placement and usage. A Blank Lefse, if used for tone, indicates that all components succeeding it must rise/fall in tone; exceptions being if it’s being alternated with a Toner for a complex tone, or if two Lefses are marked in the same direction downwards. A toner only affects its preceding character. When tone changes are marked, tone shifts 30 - 40% from its starting point. Aspiration is also affected by tone."

Cited from Lefso's Kawiki page

Natlangs (15):
Mandarin
Acoma
Bagirmi
Burmese
Grebo
Hmong Njua
Ju|'hoan
Khoekhoe
Koasati
Mixtec (Chalcatongo)
Oromo (Harar)
Supyire
Thai
Vietnamese
Yoruba